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“I had been thinking about, and very frustrated with, the health of our planet,” he reveals.

“We were witnessing all of these superstorms, and all of these unheard-of conditions, but it’s a very complicated thing to understand, to grasp.” He thought, “is there a way of taking this big thing about our home, the planet, and make it into a house?

Living within the two worlds is not easy, however, and may become increasingly risky when people do not realize the limitations of each.

Indeed, people consider cybersex to have a high degree of psychological reality—but many do not consider it to be consider it to be infidelity.

Many of them believe cybersex to be similar to pornography—an extension of fantasy that actually helps to keep them from physical affairs with other people.

I don’t think it’s ultimately about those stories.” He describes the film as “a home invasion story,” explaining, “humanity on the planet is kind of a home invasion story, with us just constantly pulling resources out and not thinking about giving back.” Aronofsky first came on the independent film scene with “Pi” (1998), followed by his big breakthrough “Requiem for a Dream” (2000).

He reaped an Academy Award nomination as Best Director for “Black Swan” (2010), which won Best Actress for Natalie Portman.

One way of reducing the weight of these difficulties is to distance the online affair from offline circumstances—for example, by refraining from exchanging personal, actual details or by imposing other limitations on the online affair.

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