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It draws attention to the importance of cultural exchange in the continuing development of Asia's aesthetic traditions, and contextualises the Gallery's contemporary Asian collection.
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A group of (lidless jars) from Japan's Six Old Kilns (the Tokoname, Seto, Shigaraki, Tamba, Bizen and Echizen kilns), dating from the Muromachi (1333–1573) and Azuchi–Momoyama (1573–1603) periods represent some of the formative ceramic traditions in Japan as well as engaging with the Japanese tea ceremony and Zen aesthetic ideals.
Works by Zen practitioners, such as ceramics by the Buddhist nun Otagaki Rengetsu (1791–1875) and calligraphy and ink paintings on scrolls by Gempo Yamamoto (1866–1961), Shoun (Gempo Sohan) (1848–1922) and Deiryu (Sojun Kanshu) (1895–1954) further illustrate the importance of religious belief in Japanese artistic tradition.
A more recent history of printmaking in Japan is told through examples of The Gallery has recently broadened its focus to include works from South and Southeast Asia.